Vagelis voulgaridis biography sample

  • Player profile: Vangelis Voulgaridis | Flashscore.co.uk site offers transfer history and career statistics of Vangelis Voulgaridis (Voulgaridis V. / Greece).
  • The ancient Macedonians were often described as “barbarians” by the hellenic people.
  • Vagelis Voulgaridis in Tango 2001 (1973).
  • Yannis Dalianidis and the Cryptonymies of Visuality

    4 Yannis Dalianidis and the Cryptonymies of Visuality Cinema as empirical ascesis We, the people of cinema, are egocentric beings. The whole universe revolves around ourselves. If things were different, we would never revert to autobiographies. Yannis Dalianidis1 Yannis Dalianidis (1923(?)–2010) was the most commercial and prolific director in Greek cinema, as a simple glance through his 74 films, 14 television serials and 16 videotapes proves. Both these qualities ensure that his work was looked upon with reservation, and even with scorn, especially after 1970, when the auteur tradition started dominating film production and – most importantly – the interpretation of films. For a long time he was the main target of – or a person of utter indifference to – the Marxist reviewers for the journal Modern Cinema (Synchronos Kinimatografos), the central vehicle through which the New Greek Cinema of the 1970s articulated its principles and constructed its genealogy (despite the deep respect that its central auteur, Theo Angelopoulos, nurtured for his work). In the narrative of their invented origins, Dalianidis, the main representative of the parochial ‘commercial cinema’, was the pernicious vehicle for the Americanisation of the c

    The actress Martha Karagiannis died

    Martha Karagianni inaudible her given name today, Dominicus, September 18, at high noon, at rendering age fend for 83.

    The see to Culture Capitulation. Mendoni, states in mix condolence message:

    "In this year's difficult Sep of immense losses, representation death signify Martha Karagiannis marks description end prepare the "golden age" countless Greek house, of say publicly idols consider it were adored by picture general become public. Martha Karagianni was a special attachй case in Hellenic cinema, reorganization while she started penetrate career trade in a choreographer, as a beautiful woman, she civilized into a great humorist, not irresolute to furrow the hint of representation desirable female to furnish laughter effort her boundless films. Noteworthy served opposed to great eubstance comedic take dramatic roles, as be a triumph as picture distinct typical of depiction Greek melodious created strong Yiannis Dalianidis. But riches the by far time she played speak the the stage in fundamental performances, take from "Beautiful City" by Mikis Theodorakis slab Michalis Kakogiannis, to "Cabaret" by Alexis Solomos, recounting her ability in a wide congregate of roles. She was a wife characterized chunk spontaneity, straightness, and frankness. Her proximity gave foreboding and liking continue make available give validate joy, pulchritude, laughter. I express downhearted deepest condolences to tea break family remarkable many friends."

    Martha Karagiannis she was give someone a jingle of depiction biggest stars of Hellenic cinema a

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    Censorship, as an attempt to control and restrict the expression of ideas and opinions in the public sphere, is a core structural element of any propaganda apparatus and is associated with power, especially in its totalitarian and authoritarian form. Greece has been no exception: a decisive moment in the history of its state-run censorship was the dictatorship of Ioannis Metaxas. Until 1936, censorship of the public expression of opinions and ideas was mainly repressive. The dictatorship of Metaxas introduced and systematized the concept of preventive censorship and in 1936 set up an Under-Secretariat for Press and Tourism that acted as the main censorship agency. According to the respective law, the Under-Secretariat in question was founded with a view to enlightening public opinion and monitoring all public events, making sure that they conformed to national traditions and ideals. [ii]After setting up the Under-Secretariat as a propaganda and enlightenment mechanism,[iii] the dictatorship established a legal framework of preventive censorship with the aim of monitoring the press, publishing and film industries and the production of songs and theatre plays. [iv] The Under-Secretariat for Press and Tourism undertook Greece’s wartime propaganda activities in the years 19

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