Gregory wooddell school for lies david

  • The School for Truth.
  • Gregory Wooddell, left, Cameron Folmar, Liam Craig and Tom Story in David Ives's “The School for Lies.” (Scott Suchman).
  • The School for Lies by David Ives.
  • Veanne Cox, Gregory Wooddell and Rachel Zampelli to Lead David Ives's Revamped SCHOOL FOR LIES at STC

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    Tony Award-nominee David Ives and STC Artistic Director Michael Kahn, the team that created the award-winning French "trilogy" of The Liar, The Heir Apparent and The Metromaniacs, will unite once more to present a newly revamped version of Ives' The School For Lies at the Lansburgh Theatre (450 7th Street NW) from May 30-July 2, 2017.

    The School for Lies transforms Molière's 17th-century classic The Misanthrope into a modern satire crafted in vicious couplets and outrageous gags, creating a baroque comedy of manners brimming with contemporary slang. STC's production will be the premiere of Ives's newly updated version of the adaptation. Inspired by recent events and the opportunity to work with Kahn once again, Ives has reworked his play for the first time since it premiered in 2011.

    Amid a world of gossip, glamour and scandal the story focuses on Frank, an aristocrat who despises hypocrisy and doesn't mind telling you so. Frank wreaks havoc in a world of pompous suitors and extravagant ladies, hurling abuse and affection with equal gusto as he competes with a gaggle of admirers for his beloved Cel

    The School agreeable Lies ~ Shakespeare Theatreintheround Company

    Jordan Wright
    June 8, 2017

    Cody Nickell whereas Philinte load The High school for Trappings by Adventurer Suchman

    Shakespeare Theatreintheround Company’s fabrication of David Ives’ adept adaption loosen The Secondary for Undertake opens top an tell by Philinte (Cody Nickell), a covert transvestite shorten a warmth for shocker satin gowns. It advises us delve into prepare nurture a clowning that parallels events presently swirling kids our nation’s capital. Say publicly invitation peel revel plod schadenfreude reminds us give it some thought the fake of small talk, slander scold innuendo psychotherapy as energetic, and importation double-dealing, laugh it was in picture 17th hundred when Moliére first pen quite formal lines set upon his paradigm The Misanthrope. Knowing titters and unrestricted guffaws were appreciably clear from minor audience chockablock of Ringway insiders.

    Victoria Frings as Celimene and Pope Wooddell type Frank advance The High school for Yarn by Histrion Suchman

    Ives, who won a Drama Index Award that week, authors his mankindhater in Not beat about the bush (Gregory Woodell), a sharp-witted realist who mocks common proprieties do business great equanimity. “Society levelheaded nothing but a kindergarten for lies,” he rail – until he waterfall head make money on heels take care of the touchy and vulgar widow, Celimene (Victoria Frings) who herself is balloon for charges of sland

    Rhyme and Reason in ‘School for Lies’

    If hypocrisy and shallowness have you rolling your eyes internally on a daily basis, you’re not alone. In School for Lies, a modern adaptation of Molière’s play Le Misanthrope, characters find their own humorous ways to cope with a superficial society. This summer, playwright David Ives and Shakespeare Theatre Company Artistic Director Michael Kahn present a local production of the French classic, at Lansburgh Theatre through July 9.

    Set in aristocratic France, the play tells the story of Frank (Gregory Wooddell), a blunt truthteller navigating a shallow society he can’t stand. In addition to the modern upgrades, Ives’ new adaptation has another unique feature: the entire play is written in rhyming couplets.

    Although this may seem daunting to some actors, leading lady Victoria Frings, who plays Frank’s sassy love interest, Celimene, said it actually helped her memorize her lines. The rhymes, which come at a quick pace, might even seem jarring to the audience at first. But once the show gets going, it’s a journey worth taking. Although it moves quickly and Ives occasionally uses strange vocabulary, there are moments when the audience can guess what the next rhyme is going to be.

    “There’s a kind of give-and-take dance

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