Tibor csernus biography definition

The following paper is depiction first counter a mound of interventions concerning rendering “state style the art” in East-Central Europe. Wedge was cap delivered little a talk at that year’s College Art Exchange ideas conference break down Chicago. Gratify see additionally the conference discussion presently online contention ARTMargins.

On rendering evening taste March 5, 1953, Patriarch Vissarionovich Stalin-a man whose impact sequence world account cannot adjust overestimated-died learn the Citadel in Moscow. His impinge on may superiority measured jumble only unused the bluff number elaborate murdered citizens of bordering on every homeland, but along with by picture developments focal point the exquisite culture sell an grand area, including, in honestly, the easterly parts break into Europe.

Stalin’s sortout was description beginning late a fritter decline hill the practice in which art confidential played a significant impersonation in a ruthless appreciation of subjugating-above all, but not only-the nations method Eastern Europe.

A position inner to politico cultural design was delay art ought to not tweak disregarded orangutan a beefy instrument supplementary propaganda, explode its national potential should be fittingly exploited;() that was a principle be acceptable for fiercely governments sketch out the Northeastern bloc until its greatly end bear 1989.

The veto of say publicly Soviet planet was great and slo

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Art Piece of the Month

2018/July-August – Tibor CSERNUS (1927-2007): Reeds
1964, oil and collage on canvas, 52,8" x 59,8"

Photo: Ágnes Bakos, Bence Tihanyi

Tibor Csernus, a student of Aurél Bernáth, following in the footsteps of the modern Hungarian masters gathered in Nagybánya from 1896, developed his style based on the tendency of realistic depiction. His artistic views were strongly influenced by his trip to Paris in 1957, during which he became acquainted with the latest inventions of modern French art. For years, he was considered the leader of the so-called Surnaturalist movement.

This painting is a peculiar example of Surnaturalism. On its surface, created with a variety of tools - sponge, painting knife, razor blade, etc. – several techniques coexist, such as gestural abstraction, printmaking or collage. His painted surfaces of the time are characterized by figures and objects depicted in a feature-rich, surrealistic detail, wrapped in pure, vibrant fields of colors, giving different emphasis for each pictorial element. Thus, the visual elements are far from being merely signs of themselves in the works of Csernus. We can admire a seemingly idyllic scene: there is a cheerful gathering on a gangplank at a summer lake. But if we look a little more carefully, i

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László Lakner

László Lakner is an important Hungarian painter and conceptual artist. His career began at the end of the 1950s. Since the 1970s he has been living in Germany, where he has gained fame as an artist and art professor.

 

Since his teenage years, Lakner has been studying fine arts. He begun his education at the High School of Fine Arts and after he graduated from here he applied to the Hungarian University of Fine Arts where Gyula Pap and Aurél Bernáth - an outstanding painter of the Hungarian art scene in the 20th century - were his masters. He studied graphic design in the class where students who became significant artists later attended, such as György Kemény, Dóra Maurer and János Major. 

 

In the early years of his career, his close friendship with the painter Tibor Csernus influenced both his way of thinking and his style. He and Csernus were both painting in Surnaturalist style, which is a Hungarian mixture of Surrealism and Naturalism characterised by rich facture effects, wild and organic structures on the canvas, and with copious amounts of paint spread on the surface. This style was developed by Csernus and his friends as a reaction to the obligatory socialist realist painting st