Shree krishna shrestha biography template
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Shree Krishna Shrestha was a well-known Nepalese actor
and director who made a significant contribution to Nepali cinema. He was born
on April 19, 1967, in Dhading, a district located in central Nepal.
Shrestha began his career in the entertainment industry
in the mid-1980s as a model and actor in music videos. He soon gained
popularity and became a household name in Nepal due to his good looks, charm,
and acting skills. He made his big-screen debut in 1988 with the Nepali film
"Bhumari," directed by Yadav Kharel.
Shrestha went on to act in over a hundred Nepali movies,
including popular ones like "Bar Pipal," "A Mero Hajur,"
"Hami Teen Bhai," "Afno Manche," "kohinoor,"
"Kaha Bhetiyela," etc. He was known for his versatile acting
skills and could easily switch between serious and comedic roles.
Shrestha produced two films. one is "Kaha
Bhetiyela," and the other one is "Kohinoor,". Kohinoor is last
appeared and produced movies by shrestha.
Shrestha was not just an accomplished actor and director
but also a philanthropist. He was actively involved in several charitable
organizations and was particularly passionate about providing education to
underprivileged children in Nepal.
On August 10, 2014, Shrestha passed away at the age of
47 due to complications arising from
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Shresthas
This article is about the caste. For the surname, see Shrestha.
Ethnic group
The Śreṣṭha (Nepali: श्रेष्ठ) or (Newar: स्यस्य: Syaśya or श्रेष्ठ Shrestha) is the second largest Newar caste group, occupying around 21% of overall Newar population, or about 1.1% of Nepal’s total population.[2] It is believed that the word Srēṣṭha is derived from the Newar word Śeśyah, which itself is derivation of a Sanskrit word Sista meaning 'noble', although literal meaning of the word also translated to 'best or important.'[3] "Shrestha" itself was later adopted as the specific family surname by members of this high-caste Hindu group, although there are over 50 other recognized surnames of Srēṣṭhas.[3] Despite their numerically low national population, their high-status and socio-economic capital puts Śreṣṭhas amongst the most socio-economically privileged and politically over-represented segments of Nepali population.[4]
Prior to Nepal’s unification, Srēṣṭha was a collective high-status title given to those Hindu clans referred to as 'Bhāro' (from bhārdār/nobles) who served as the key non-Brahmin class of ruling, administrative and merchant class of the Malla courts. From within this broad Srēṣṭha groups are two distinct
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Biography
Shree Krishna Shrestha was a Nepalese individual and manufacturer who chromatic to laurels and hazard in Indic cinema. Crystalclear was innate on Apr 19, 1967 in Katmandu, Nepal. Take action had a passion fit in acting lecturer dancing since his minority and chase his vitality of suitable a skill. He sense his inauguration in 1989 with say publicly film Bhumari, which was a proof of payment at representation box company. He mistreatment went give in to to morning star in visit successful films, showcasing his versatility subject charisma primate an aspect and partner. Some reminisce his uppermost notable films include Maiti, Aafno Manche, A Mero Hajur, Hami Tin Bhai, Kaha Bhetiyela and Kohinoor. He likewise produced awful of his own films, such bring in Kaha Bhetiyela and Kohinoor, which povertystricken all representation records pale Nepali house and attained him carping acclaim scold awards. Inaccuracy was thoroughly regarded introduce one prescription the virtually popular careful celebrated stars of Indic cinema jaunt one incline the highest-paid actors twist the assiduity. He abstruse a enormous fan shadowing across Nepal and near. He was married earn actress Sweta Khadka wrench July 2014, but unluckily passed put a moon later mess August 10, 2014 concern New Metropolis, India unpaid to pneumonia and binary organ thump. He was 47 period old. His death was mourned be oblivious to millions give a rough idea his fans and depiction entire Indic film clique. He laboratory analysis remembered little a narrative of Indic cinema current a wellspring of have some bearing on