Walter lippmann biography
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Beschreibung des Verlags
The life concentrate on ideas show one deduction the 20th century’s principal political thinkers
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Walter Lippmann
American journalist (–)
For the Jewish and ethnic community leader and advocate of multiculturalism in Australia, see Walter Max Lippmann.
Walter Lippmann | |
|---|---|
Lippmann in | |
| Born | ()September 23, New York City, U.S. |
| Died | December 14, () (aged&#;85) New York City, U.S. |
| Occupation |
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| Education | Harvard University (AB) |
| Years&#;active | – |
| Notable works | Founding editor of New Republic, Public Opinion |
| Notable awards | Pulitzer Prize (, ) Presidential Medal of Freedom () |
| Spouse | Faye Albertson &#; &#; (m.&#;; div.&#;)&#;Helen Byrne &#; (m.&#;)&#; |
Walter Lippmann (September 23, – December 14, )[1] was an American writer, reporter, and political commentator. With a career spanning 60 years, he is famous for being among the first to introduce the concept of the Cold War, coining the term "stereotype" in the modern psychological meaning, as well as critiquing media and democracy in his newspaper column and several books, most notably his Public Opinion.[2][3]
Lippmann also played a notable role as research director of Woodrow Wilson's post-World War I board of inquiry. His views on the role of journalism in
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Walter Lippmann (), the noted liberal journalist, was among the first moderate liberals to sign-up to President Wilson's policy of 'limited preparedness' in , and was influential in encouraging support from similar quarters.
Born in New York on 23 September to German-Jewish parents, Lippmann studied at Harvard where he developed socialist beliefs and there co-founded the Harvard Socialist Club, simultaneously editing the Harvard Monthly.
Lippmann was befriended in by Lincoln Steffens, the campaigning journalist. Steffens (and subsequently Lippmann) supported Theodore Roosevelt's Progressive Party in the presidential election. The following year, , Lippmann published the well-received A Preface to Politics.
He co-founded in (with Herbert Croly) the New Republic magazine of political criticism, and which was part-intended as an antidote to what he regarded as the 'muck-raking' format of political press coverage of the period.
Lippmann came to reject his earlier embracing of socialism in Drift and Mastery (), while retaining liberal progressive tendencies. Lippmann used the New Republic to champion Wilson's re-election campaign in , which brought him into subsequent contact wit