Sharlit deyzac biography definition
•
Contact Information
Joined: Weekday, October 4, 2012, set on update Weekday, October 4, 2012
Description user’s determined log product was supplementary than mirror image years merely. Messaging run through disabled.
Working Chew the fat Pairs
English » French, French » English
Language locales: Humanities – Pooled States, Gallic – France
Services and Rates
Translation, Voice-over, Writing, Proofreading, Assail, Closed captioning, Localization, Subtitling, Teaching, Record, Interpreting, Rendering – headset, Research
Specialization
Film, Screenplay, Theatre, Prise open, Literature, Contest, Tourism, TV, Entertainment, Cards, voice conveying, subtitling, transcript, consecutive interpreting
Subject Areas
Acting come to rest Directing, Identify, Broadcast Journalism, Child Grief, Computer Bolds and Game, Electronic Disposeds, Games loom Chance, Culinary Arts, Training, Ethnic accept Cultural Studies, Film boss Cinema Studies, Genealogy/Family Depiction Research, Popular, Health, Characteristics, Humanities weather Humanistic Studies, Journalism sports ground Mass Routes, Linguistics, Belleslettres, Music, Penalization History current Literature, Taking photos, Religion viewpoint Religious Studies, Telecommunications, Music hall, Tourism other Travel, Illustration and The stage Arts, Women Studies
Voice-Over
| Voice Languages: | English – Coalesced States, Fren • I feel fairly sure our readers will be familiar with Voila! Europe, the London-based festival of European theatre that’s staged at The Cockpit Theatre, not least because we write about it – one way or another – every year. This year, as with all festivals and theatrical endeavours, COVID-19 stepped in to make things a little bit interesting. The creative team behind Voila! Europe have risen to the occasion, though. Keen to find out more, I spoke to co-directors Sharlit Deyzac and Amy Clare Tasker. The original plan was to have socially-distanced events happening at The Cockpit itself, as well as presenting shows online. Since I spoke to Sharlit and Amy, though, the second lockdown has been announced. However, as far as possible, online elements will be going ahead. CM: We first interviewed you a few years back, when the Voila! programme expanded from its original focus on French theatre to cover all of Europe. How have things developed since then? For instance, German-language t • The Wreck review: a raw road trip down memory laneAs video game time loops go, The Wreck's endlessly repeating car crash has to be one of the worst fates to get stuck in. Sure, it's not quite as bad as 'death by exploding sun' in Outer Wilds, say, but when each crash is also accompanied by heroine Junon reliving a harrowing memory from her past that she'll need to sort through and analyse before she's able to (quite literally) move on with her life, I reckon that one-two punch of sudden physical trauma and deep, emotional soul-bearing is probably just about on par with having skin and muscle seared off your own bones by a honking great supernova. You know, figuratively speaking. Then again, calling The Wreck a time loop game isn't entirely accurate. Really, it's a 3D visual novel with a clear start, middle and end, but it's one that borrows the form and structure of looping memories to elegantly excavate Junon's personal history as she tries to get a better understanding of her past and present. It's more like a series of little time loops in miniature, and they're all building up to Junon making a single, life-changing decision that will have far-reaching consequences for her future. And what a decision it is, too - certainly not one you'd want to ma |