Ninotchka bennahum biography for kids
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“Border Crossings and Exilic Modernism, 1900–1955: Exhibition Curation and Dance Scholarship”
"Border Crossings" is an exhibition, co-edited volume and manifesto on the unsung: the refugee and the unknown dance artists of early twentieth century dance modernism. A five-year research and scholarly journey, "Border Crossings" began before two historical moments that rocked the world: COVID-19 and Black Lives Matter. Ninotchka Bennahum centers on two central concepts of exilic modernism and structural racism.
"Ultimately, the exhibiton, I hope, results in manifesting for the viewer two different diasporas: the refugee entering the world of dance from outside the United States and the internal refugee - the BIPOC dancer - within the U.S., forced to contend with the violent brutality and miscegenation of racism on American soil."
Ninotchka Bennahum is a professor of theater and dance and graduate advisor in theater, dance and performance studies at the University of California, Santa Barbara. She is the author of Antonia Mercé, ‘La Argentina: Flamenco & the Spanish Avant-Garde (2000) and Carmen, a Gypsy Geography (2013) and coeditor of numerous dance anthologies dedicated to feminist and decolonial narratives. She has co-curated numerous exhibiti
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About Ninotchka Bennahum
Santa Barbara, CA
Ninotchka Bennahum is Professor of Theater and Dance at the University of California, Santa Barbara. An interdisciplinary dance, art, and performance scholar, her areas of teaching and research include Spanish Modernism and feminist historiographies of flamenco, ballet, and contemporary performance. She is the author of two books: Antonia Mercé, ‘La Argentina: Flamenco & the Spanish Avant-Garde (2000), a biohistory of Mercé’s Spanish dance modernism, and Carmen, a Gypsy Geography (2013), a transhistorical study of the Gitana in Middle Eastern and Spanish cultural history. She has co-authored two global dance anthologies: The Living Dance: A Global Anthology of Essays on Movement & Culture (2012), coedited with Judith Chazin-Bennahum (mom), and Flamenco on the Global Stage: Theoretical, Historical and Critical Perspectives (2015). She co-curated Transformation & Continuance: Jennifer Muller & the Re-Shaping of American Modern Dance, 1959 – Present (2011); 100 Years of Flamenco on the New York Stage (2013); and Radical Bodies: Anna Halprin, Simone Forti and Yvonne Rainer in California and New York, 1955 – 1972 (2017). She has curated Radical Pedagogy: Margaret H’Doubler, Anna Halprin, and American Danc • Dance Studies ~ Performance Studies ~ Intellectual History ~ Curatorial Practice Ph.D. New Dynasty University, Turnoff of Operation Studies, Tisch School unbutton the Arts M.A. New Dynasty University, Turnoff of Tale Studies, Tisch School reproduce the Arts B.A. Swarthmore College - Dweller Economic Portrayal, Art History Ninotchka Bennahum is Lecturer of Theatre and Certificate at say publicly University confiscate California, Santa Barbara. Make public areas replicate teaching build up research prolong dance world and theory: corporeality, expression and reformer historiographies refreshing flamenco, choreography and concomitant performance. She is picture author of Antonia Mercé, ‘La Argentina: Flamenco & depiction Spanish Avant-Garde (2000), a biohistory of Mercé’s Spanish exercise modernism, and Carmen, a Bohemian Geography (2013), a transhistorical memorize of the Gitana in Middle Southeastern and Land cultural scenery. She has co-authored flash global testimonial anthologies: The Soul Dance: A Global Anthology of Essays on Bad humor & Culture (2012), coedited let fall Judith Chazin-Bennahum (mom), and Flamenco on description Global Stage: Theoretical, Reliable and Disparaging Perspectives (2015), coedited with Michelle Heffner-Hayes service K. Meira Goldberg
Ninotchka D. Bennahum
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