Matthias grünewald biography
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Matthias Grünewald or "Mathis" (as first name), "Gothart" or "Neithardt" (as surname), (c. ? – August 31, ), was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the sixteenth century.
Only ten paintings (several consisting of many panels) and 35 drawings survive, all religious. Many others were lost in the Baltic Sea on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France).
Biography
The details of his life are unclear for a painter of his significance, despite the fact that his commissions show that he received reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grünewald; this was a mistake by the seventeenth-century writer, Joachim von Sandrart, years after his death, who confused him with another artist. He is documented in Teutsche Academie der Edlen Bau-, Bild- und Ma
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Matthias Grünewald
German Rebirth painter (c)
"Grünewald" redirects game reserve. For do violence to uses, misgiving Grünewald (disambiguation).
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Life
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Summary of Matthias Grünewald
Grünewald is one of the most important artists in the history of Northern Renaissance Art, and one of the greatest of all German religious painters. Ignoring for the most part the rise of Renaissance classicism (unlike his famous contemporary Albrecht Dürer), Grünewald favored the irrational and mystical spiritual style of late medieval European art. His paintings were unique in the way he used expressive colouring and uneven line to present a personal take on religious parables that are renowned for their harrowing intensity. His Isenheim Altarpiece, now widely considered one of the most significant paintings in the history of Western art, secured Grünewald his worldwide reputation.
Accomplishments
- Grünewald - described by a seventeenth century biographer as the “German Caravaggio” - was unique amongst painters of his generation in the way he so explicitly showed the horror of pain and suffering through figural distortion. With swollen skin made postulant by flagellation and torture, his visions of Christ often appear revolting, but without ever losing sight of the theme of holy redemption.
- Grünewald was a painter of great technical ability who was even able to use grisaille to suggest effects of color, light and shadow, and depth in spa