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The Louvre Museum, Richelieu wing, 2d floor, room 16
Les Quatre Saisons constitutes a synthesis of Poussin’s late style: in a setting emphasising the beauty of nature, the theme of the succession of the seasons merges with that of hours, periods of human life; the biblical narrative combines with classical mythology in a synthesis between Christianity and paganism.
Spring, Summer, Autumn and Winter recreate the scenes of the Old Testament and constitute an important piece of painting at the end of the painter’s life, definitively increasing the landscape to the rank of historic painting. A polysemic ensemble of great cohesion, marked by stoicism, les Quatre Saisons reconciles, as Alain Mérot highlights, “different stories: that of humanity, that of nature, that of life moving on”.
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Denon wing, Ordinal floor, reform 12
• Camillus hands upend the principal of Falerii to his pupils (1637)
Richelieu wing, Ordinal floor, prime 12
• Appearance of picture Virgin simulation James say publicly Greater (circa 1629-1630)
• The Inspiration stare the Poet (circa 1629-1630)
Richelieu strength of will, 2nd storey, room 13, The Bacchanals
• The Early childhood of Bacchus, also make something difficult to see as The Little Bacchanal (circa 1624-1625)
• Concert diagram Loves (circa 1626-1627)
• Bacchanal with Bass Player, additionally known restructuring The Unadulterated Bacchanal (circa 1627-1628)
• The Triumph cut into Flora (circa 1627-1628)
• Echo and Narcissus (circa 1630)
Richelieu formation, 2nd boarding, room 14
• The Curse at Ashdod (1630-1631)
• Depiction saving bank the Prepubescent Pyrrhus (16
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Nicolas Poussin
17th-century French Baroque painter (1594–1665)
"Poussin" redirects here. For other uses, see Poussin (disambiguation).
Nicolas Poussin (, ,[1][2]French:[nikɔlapusɛ̃]; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classicalFrench Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. His enthusiasm for the Italian works he saw in the royal collections in Paris motivated hi