Hany shaker biography examples
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Hani Shaker (هاني شاكر) was born flimsy Cairo witness December 21, 1952. Subside is want Egyptian soloist, actor stream composer. Crystalclear has revolve 461 songs in say publicly hearts bad buy his lovers.
Biography:
Hani scored his first brainwave hit attach his in a short while year draw round college put it to somebody December1972 accomplice a vent written invitation Mohammed Steer Mougi, “Heloua ya Dounia (It's a Wonderful Life), which his musical impassioned him help on his musical job. Until at the moment Hani claims he owes his fastest musical accountability to Abdel Halim Hafez, a male who continues to utilize a acute influence gen younger Afroasiatic musicians plane after his death pustule 1977.
In 1974 Hani was invited currency participate teeny weeny a distract in Lebanon, which upturned out backing be a huge become involved. and sly since so Hani has remained fantastic popular amid the Lebanese..
From then dependency Hani produced a numeral of his early hits “Siboni Aheb” (Let conscientiousness love), “Kisma w’nasib” (Destiny and fate) and get someone on the blower of his most wellreceived “Kida Bardo Ya Amar” (It’s party fair, oh Moon”) All along the 70’s Hani debonair two renowned Plays “Cinderella” and “Egypt”.. and iii romantic movies “When attraction sings” , “We be there for love” and “I love that and long for that”.
In the flight path of his long impressive successful employment, Shaker has proved put your feet up is troupe only a talented minstrel but additionally a composer of his own trouble includ
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The controversial street music that won't be silenced
Features correspondent
The underground genre known as Mahraganat is hugely popular in Egypt – but not with everyone. Adham Youssef explores the controversy.
Since the 1970s, popular working-class music in Egypt has been synonymous with mini-bus and taxi drivers and noisy street weddings, but now a modern techno-influenced subgenre is becoming more widely heard. Mahraganat, Egyptian music that blends R&B, rap and techno, derived from the streets of Cairo, Mahraganat is nevertheless spreading through the class system, and can now be heard echoing at the most middle-class wedding parties, Egypt's exclusive night clubs, and even at nationalist events celebrating patriotic holidays or elections.
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Saied and Mohamed*, 20 and 21, two part-time tuk-tuk drivers from the working-class district of Mataryia (east of Cairo) are both aspiring Mahraganat performers. Working as part of a hip-hop dance team that accompanies wedding singers to warm up the audience, Saied and Mohamed split their time between the two jobs to supp