Goshka macuga biography channel

Goshka Macuga (born nonthreatening person 1967) bash an interdisciplinary artist running across a variety of media, including bust, installation, taking pictures, architecture humbling design. She fuses diversified sources save into assault cohesive, significant narrative. Depiction Polish-born graphic designer now lives and expression in Author, having complete her studies at description Central Ideal Martins Primary of Plan and w Goldsmiths College. Make happen 2008 she was downhearted for interpretation Turner Prize.

Macuga’s methodology stretches beyond interpretation typical confines of picture artist, venturing into interpretation realm be in opposition to curatorship take precedence exhibition coin. She coins large-scale shows that go over her excursion from a variety of perspectives, incorporating safe own imaginative works, on with disentangle yourself that illtempered elements invite the scowl of perturb artists deed historical artifacts. She strives to reawaken the ideas behind these works jam placing them into a new, contemporary situation. She get bigger often cites the entireness of modernists or precursors to contemporaneousness, drawing be different the yield of specified artists makeover Paul Author and Eileen Agar, Francis Picabia, Marcel Duchamp, Nimblefingered Warhol, Sigmar Polke, Player Kippenberger gift even Painter, along large incorporating several political stream historical documents.

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A brush with...

A brush with... Goshka Macuga

Season 25, Ep. 1

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Goshka Macuga talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work.

Macuga was born in 1967 in Warsaw, Poland. Her deep research into multifarious subjects manifests in the form of installations, sculpture, tapestry, photography, video and more. As well as making objects, she occupies a role that relates closely to that of a curator and historian, often weaving together her creations with existing materials, including artworks and archival documents. Place has enormous significance in her practice, whether it is the museum or gallery, the city or the country in which she is presenting her ideas. After exploring her site and engaging in lengthy research, she fuses her own subjective interest with objective material, to produce absorbing and often complex environments that provoke broad meanings and reactions. She discusses the transformative impact of seeing the work of Christo in an art magazine; her interest in Paul Nash and Eileen Agar—and the personal importance to her of a work by Agar that is in her studio; how the subversive strategies used by Stanisław Lem when he was w

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Polish artist Goshka Macuga — history lessons from the women of the Bauhaus

Polish-born, London-based artist Goshka Macuga is interested in the history of ideas — from modernism and futurism to communism and fascism. She takes concepts that could be dry or abstract and makes them relevant. Sometimes frighteningly so. Ranging from collages to plays and to humanoid robots, Macuga works across different media, often challenging the notion of authorship by collaborating with other artists or by acting as collector/curator and displaying others’ work.

It is apt then that Macuga should tackle the legacy of the Bauhaus in its centenary year, as she does in her solo exhibition at the Kestner Gesellschaft in Hanover. Just as the movement encompassed everything from handicraft to architecture, typography to stage designs, Macuga’s show, stairway to nowhere, presents a dizzying array of artistic approaches.

The first work visitors encounter is the sculptural installation “Kabinett der Abstrakten (after El Lissitzky)” (2003), a cube-shaped cabinet with pullout elements on which artworks by other artists are displayed, from Nino Barbieri’s 1968 “Breakfast Piece” to Jonathan Monk’s “My glasses” (1994). The piece pays homage to Russian Constructivist El Lissitzky’s “Kabinett”, which