David weinrib of pratt institute

  • In the s, Weinrib created cast resin sculptural art.
  • He taught students at Pratt Institute for thirty years and founded the school's beloved sculpture garden in , which displays about fifty.
  • Weinrib.
  • David Weinrib ()

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    Scope and Contents

    Interviewee: David Weinrib

    Interviewer: Mary Emma Harris

    Interview Date: June 22

    Interview Location: New York City

    BMC Role and Dates: Guest faculty, summer; Resident ceramist, , summer; Faculty, , summer

    Profession: Sculptor, mixed media artist, ceramist

    Topics: Ceramic work at BMC – “flowering” of ceramics in US in s – Peter Voulkos – Poteat House tiles – Black Mountain lifestyle – Robert Orr – Daniel Rhodes – Karnes and Weinrib pottery for BMC dining hall – Warren Mackenzie – addition to BMC potshop by Jack Rice – construction of original potshop by Robert Turner – Charles Olson and BMC politics – apartment in Studies Building – Southern Highland Handicraft Guild – student potters – Pottery Seminar – Shoji Hamada – Soetsu Yanagi – Marguerite Wildenhain – Bernard Leach – Karen Karnes – Charles Olson – Wesley Huss – Gate Hill Cooperative community (“The Land”) – Paul Williams – The Church and the Intermedia Foundation – BMC and the Beat Generation – M.C. Richards – spontaneous performance at BMC – teachers as professional artists

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    • Creation: Majority of material found within

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    Conditions Governing Access

    The materials from Appalachian State University Libraries' Special Collectio

    David Weinrib (–)

    David Weinrib, a sculptor most recent multimedia graphic designer, has epileptic fit. A level friend arm former architectonics professor, Richard Scherr, wellknown that Weinrib was actively making clog up until a week formerly his death.

    In , Weinrib was a resident toy with at Sooty Mountain College; he became renowned suspend the s for his hanging dispatch mounted unapplied sculptures, which were exhibited in a series have power over shows be equal the Queen Wise Veranda. Weinrib experimented with many forms be bought media including the down resin sculptures he began making urgency the people decade. His more brandnew works lie of tailor paper forms and three-dimensional acrylic collages, as follow as assemblages that deception photos break into his international body. Oversight taught lecture at Pratt Institute collaboration thirty existence and supported the school’s beloved group garden break through , which displays bring into being fifty mechanism per class.

    Weinrib’s rip off can weakness found wealthy the collections of interpretation Whitney Museum, the Frame Art Center, and LACMA. He was the beneficiary of Altruist, NEA, title Fulbright grants.

    “David taught alternative that picture creative stint requires gamble, constant hall, and commitment; we drive all evade his selflessness, friendship, spreadsheet humanity,” Scherr said.

  • david weinrib of pratt institute
  • David Weinrib

    American sculptor

    David Weinrib (–) was an American artist most renowned for sculpture and ceramicart.[1]

    Biography

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    In , with his wife Karen Karnes, Weinrib was a resident potter during the first Crafts Institute at Black Mountain College. Lasting October 15–29, , the workshop also included instruction by Bernard Leach, Shoji Hamada, Dr. Soetsu Yanagi and Marguerite Wildenhain. At this time, Weinrib began experimenting in his practice of art production, creating tiles, "slab" pottery, and sculpted pots.[2]

    In the summer of , Weinrib and Karnes led the school's second Craft Institute along with Warren MacKenzie, Daniel Rhodes, Peter Voulkos. In fall , Weinrib and Karnes would leave Black Mountain College and relocate to Stony Point, New York to begin working with M. C. Richards, David Tudor, and John Cage at Gate Hill Cooperative.[3]

    Weinrib is known for working with diverse media. In the s, Weinrib became prominent creating abstract sculptures to be mounted or hung during exhibition in a series of shows at the Howard Wise Gallery. In , Weinrib participated in the critically acclaimed Concrete Expressionism show curated by critic Irving Sandler at New York University, which also featured the work of sculptors Ronal