Bartholomaeus ziegenbalg biography of barack obama
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The Friend-Enemy Distinction
Nicholas Wolterstorff’s Justice: Rights and Wrongs is a magisterial book. In it and in its smaller forthcoming companion volume Justice and Love, Wolterstorff has gotten justice right. This, in case the thrust of my terse comment wasn’t plain enough, is very high praise. I’ll register a few small gripes and suggest a shift in emphasis. But these mild criticisms, even if I am correct in making them, don’t take much away from the greatness of Wolterstorff’s extraordinary achievement or from the basic correctness of his position.
Together with two of my colleagues at Yale Divinity School, David Kelsey (emeritus) and John Hare, I have started a multiyear project entitled “God and Human Flourishing.” That project provides the angle from which I write. I will ask of Wolterstorff’s books two principal questions: What is the account of human flourishing that they contain? And what is the relation between God and human flourishing thus understood? A conception of justice and the relationship between love and justice will turn out to be central in answering both of these questions.
Part of the foundation of Wolterstorff’s proposal about justice—and about the relation between justice and lov
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30 Christian Stock Photos of Limited Appeal
This is not the Left Behind movie anyone expected.
The last time the property was in the public eye—2005, with the release of the third movie installment, Left Behind: World At War—the movies had Kirk Cameron and spanned the first two books in the Left Behind series of novels. For those not participant in the 90s/00s evangelical zeitgeist, the Left Behind books were basically the handbook of American folk-Christian eschatology in the new millennium. The books covered—from the perspectives of pilot Rayford Steele, his daughter Chloe Steele, and reporter Buck Williams—the End Times.
Left Behind, in a sense, tackled the apocalypse before it was cool.
And tackling the apocalypse is once again aggressively cool, as we’ve said here before. Since the films stalled in 2005, and this year Hollywood has finally caught onto the fact that Christian movies will make you a lot of money, a reboot was practically a given, nestled amongst Noah and Heaven is For Real and God’s Not Dead and the forthcoming Exodus: Gods and Kings.
Right now I want to take a tiny break and make explicit what I think is already pretty clear: I was not an unbiased reviewer going into the movie. In fact,