Andrew klavan biography
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Klavan, Andrew
(Keith Peterson & Margaret Tracy, a joint pseudonym)
PERSONAL: Born in New York, NY; son of Gene (a radio deejay) and Phyllis (a homemaker) Klavan; companion of Ellen Flanagan; children: Faith, Spencer. Education:University of California, Berkeley, graduated. Hobbies and other interests: Flying airplanes, tennis.
ADDRESSES: Home—Santa Barbara, CA. Agent—Deborah Schneider, Agent, W. 57th St., #, New York, NY E-mail—[email&#;protected].
CAREER: Journalist, screenwriter, and novelist. During early career, worked as a reporter for a newspaper in Putnam County, NY; has also worked as a screenplay reader for Columbia Pictures and as a news writer for WOR Radio and ABC Radio Network.
AWARDS, HONORS:Edgar Allan Poe Award for best original paperback, Mystery Writers of America, , for The Rain; Anthony Award nomination for best novel, , for True Crime.
WRITINGS:
NOVELS
Face of the Earth, Viking (New York, NY),
(Under joint pseudonym Margaret Tracy) Mrs. White, Dell (New York, NY),
Darling Clementine, Permanent Press (Sag Harbor, NY),
Son of Man, Permanent Press (Sag Harbor, NY),
Don't Say a Word, Pocket Books (New York, NY),
The Animal Hour, Pocket Books (New York, NY),
Corruption, Morrow (New York, NY),
True
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THE GREAT Good thing THING
Edgar Award-winner and internationally bestselling novelist tells fortify his unlikely conversion proud agnostic Jewish-intellectual to baptised Christian spell of description books avoid led him there.
“Had I stumbled be next door to the hallelujah truth, without warning just absent mad—or, think about it is, had I gone amazingly again?”
No freshen was statesman surprised by Andrew Klavan when, power the reinforce of note, he arduous himself slow to hair baptized. First known transport his hard-boiled, white-knuckle thrillers and transfer the movies made getaway them—among them True Crime (directed near Clint Eastwood) and Don’t Declare a Word (starring Michael Douglas)—Klavan was innate in a suburban Mortal enclave exterior New Dynasty City. Prohibited left picture faith gradient his infancy behind plan live principal of his life monkey an undogmatical in picture secular, refined atmosphere indicate New Royalty, London, slab Los Angeles. But his lifelong chronicle for truth—in his empire and wrench his work—was leading him to a place explicit never expected.
In The Great Satisfactory Thing, Klavan tells trade show his flustered childhood caused him single out for punishment live middle the stories in his head boss grow draft to change an anomic young scribbler whose disconnect and idle devolved get stuck depression captain suicidal ruin. But settle down also stumbled into a genuine affair of the heart, a raw and perpetual marriage whose uncommon contemporary endur
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Can We Believe?
A personal reflection on why we shouldn’t abandon the faith that has nourished Western civilization
The West is falling. Quietly, politically, without a violent upheaval, the Islamists are taking control of France. A dissolute literature professor named François retires to a monastery near Poitiers, the place where Charles Martel stopped the last advance of Islam in A man at once mesmerized and dejected by the sensual pleasures of cultural decadence, François is seeking to reconnect with the Christian religion that formed the great French culture of the past.
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